Symposia
and Workshops
| Radio
and Television
[1]
Die gesellschaftliche und musikalische Funktion der Harfe
in der deutschen Literatur des Mittelalters,
Schola Cantorum Basiliensis, International Symposium
“Grundlagenforschung historische Harfen”, Basel, October,
1986. [2]
The Symbolic Meaning of Musical Instruments in Medieval
Psalm Illumination,
Colloquium of the Department of Musicology and Colloquium of
Medieval Studies, Utrecht University, February and March, 1989. [3] Het belang van de Princeton Index of Christian Art
voor muziekwetenschap, Symposium of the Princeton Index of
Christian Art, Utrecht University, February, 1991. [4]
Die Bedeutung des “Princeton Index of Christian Art”
für die Musikikonographie des Mittelalters,
Museum für Kunst und Gewerbe, Imago Musicae – Internationale
Tagung zur Musikikonographie: Musikkultur im Spiegel der
bildenden Kunst, Hamburg, August, 1991. [5] New developments of European student exchange in music and musicology, Royal Holloway and Bedford New College, University of London, September, 1991. [6] The Harp Cover in the Middle Ages,
International Historical Harp Symposium of the Utrecht Early
Music Festival, August, 1992. [7] Vom Status der Harfe im
Tristan-Roman Gottfrieds von
Strassburg,
Musikwissenschaftliches Institut, Ruhr-Universität, Bochum, October, 1992. [8] Die soziale Stratifikation der Spielleute im Mittelalter,
Fakultät für Geschichtswissenschaft, Ruhr-Universität, Bochum, November, 1992. [9] New Developments in Music Iconography, Colloquia of the Department of Musicology, Aristotle University, Thessaloniki, March, 1994. [10]
Harp Illuminations in a Biblical Context,
European Harp Symposium 1995, Arion Foundation, Amsterdam,
August, 1995. [11] Sparen of geld
vergaren: subsidieproblemen in de
wetenschap,
Colloquium Belangenvereniging AIO’s-OIO’s (BAU), Central
Building, Utrecht University, June, 1996. [12] Harpen van
steen: Kunstobject of statussymbool,
Annual Meeting of the Dutch Harp Foundation, Doorn, October,
1996. [13] Cycladische harpbeeldjes in musicologisch
perspectief,
Annual Meeting of the Koninklijke Vereniging voor Nederlandse
Muziekgeschiedenis, Utrecht, November, 1996. [14] Ancient Marble Harp Figurines: The Search for a
Stratified Context,
Congress of the International Musicological Society (IMS), Study
Session of Music Iconography, Imperial College, London, August,
1997. [15] Das Problem der Echtheit der kykladischen
Harfenspielerbilder,
9th International Symposium of the Study Group on Music
Archaeology, Michaelstein, Blankenburg, May, 1998. [16] The
Development of the Water Bird’s Head on Stringed Instruments in the
Greek Region, ICTM 9th meeting of the
Study Group of Music Iconography, Dion (Greece), September,
1998. [17] The
meaning of music archaeology for ancient and medieval music
history, Workshop
at the Academy of Music, Athens, [18] De harp in de oudheid: schakel tussen hemel en aarde,
Colloquium at the Exhibition ‘Myths, People and Music’
at the Allard Pierson Museum, Amsterdam, February, 2000.
[19]
Muziek in de oudheid: expressie van mythe tot
werkelijkheid,
Alumnidag 2000, Faculty’s
Day of Utrecht University, April, 2000. [20] The
Heritage of Terpandros of Lesbos in Medieval and Renaissance
Music Theory,
International Conference of Teprandros: His role in the
development of the Ancient Greek Music, Municipality of
Eressos-Antissa, Lesbos (Greece), August, 2000. [21] The Dutch
Approach to Music Research,
Workshop of Music Archaeology and Iconography, Convento di
Carmo, Lisboa, February,
2002. [22] The
Stringing of Medieval Instruments, Workshop on Medieval Musical Instruments,
Museum of Musical Instruments, Prague,
June, 2002. [23]
Did
Cycladic Harps Really Exist?,
8th World Harp Congress, University of
Geneva, July, 2002. [24] The Exchange of Musical Knowledge, Conference on Music in Ancient Israel/Palestine, Leucora Foundation, Martin Luther University, Halle-Wittenberg, November, 2002. [25] [26] Die Harfe im alten Europa, Institut für Ur- und Frühgeschichte sowie Mittelalter- und Neuzeitarchäologie & Institut für Musikwissenschaft, Universität von Innsbruck, June, 2005. [27] Muziek in Bourgondisch Brabant. Summer Course “Bourgondisch Brabant” of the Senior Academy Brabant, University of Tilburg, held in the Old Abbey of Drongen (near Gent, Belgium), July, 2006. [28] The Presumed Harp-Lyre Transformation in Ancient Greece: Some Socio-Cultural Aspects, 5th Symposium of the International Study Group on Music Archaeology: Challenges and Objectives in Music Archaeology, Ethnologisches Museum der Staatlichen Museen zu Berlin, September, 2006.
Contributions to Radio and Television Programs - Interview: Water Organs in Ancient Greece. Radio program “A4 Praatpaal” NCRV, 6 March 1999. - Contributor
of the documentary Music of Ancient Greece. ABC
Television (Lesbos, Greece), 26 and 27 August 2000. - Interview: The Authenticity of Early Music Concerts. Radio program “A4 Praatpaal” NCRV, 29 September 2001. - Interview: The Oldest Flute in the World. Radio program “Viertakt”, NPS, 13 December 2004. - Interview: The Reconstruction of the Ice Age Ivory Flute from Blaubeuren. Radio program “Viertakt”, NPS, 17 December 2004.
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